A (Very Brief) Primer on Plainchant

Plainchant is the ancient, standard music of the Western tradition of the Church. It is traditionally monophonic (sung in unison), though it is sometimes harmonized and/or sung with accompaniment. It is sung without the time signatures of modern music (like 4/4 or 6/8), in a free meter.

Plainchant notation has four lines, which do not correspond to any particular note on a keyboard (like modern music), but are pitch-relative. There are two clefs, 

which can bracket any line, and which indicate either the doh or the fa of the scale: doh-re-mi-fa-sol-la-ti-doh:

Every note shape is given equal length…

Unless:

– it has a line above or below it which slightly lengthens it
– it is doubled or tripled on one syllable, which doubles or triples its length
– it is dotted, which gives it at least a double length
– it precedes a quilisma (squiggly note), which slightly lengthens it (the first note)

Notes are always sung left to right:

And the lower note of a perpendicular group is always sung first:

When chanting Psalms or the suffrages in a litany, one line of music will be given as the guide to sing every verse of the text, which is sung on a reciting note and “pointed” with a slash or some other marking to indicate when to change to the final cadence.

When the text has a † symbol at the end of a phrase, it indicates the singing of a “flex,” which means the syllable preceding it is to be sung on the next lowest consonant note, depending on the psalm tone.

And that’s it! I mean, in a very tiny nutshell. That’s enough knowledge to allow you to pick up a book with plainchant in it and start singing—or at least to follow along.

For a fuller but still accessible intro to singing plainchant, as well as a little history, see this short article.